ANA-MARIA MORAR

holy mess

fabric, plaster, wood, paper, bronze, epoxy

27 x 18 1/2 x 6 inches

2024

wonders of touch

paper collage, tempera, watercolor

18 x 24 inches

2024

paper collage, tempera, watercolor

18 x 24 inches

2024

collaborative work

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

paper collage

8 × 10 inches

2024

Untitled yet

book cover, clay, wood, cyanotype, resin, fabric

10 1/2 x 7 x 21 inches

2024

after two i am going to be five

fabric, plaster

34 x 25 x 10 inches

2023

sometimes she can II

fabric, plaster, wood, mesh

10 1/2 x 10 x 4 1/2 inches

2023

to my younger self

fabric, plaster, epoxy

26 x 14 x 16 inches

2023

i want to go in the where

collage

14 x 12 inches

2023

collage

14 x 9 inches

2023

collage

12 x 9 inches

2023

collage

14 x 12 inches

2023

collage

14 x 12 inches

2023

collage

12 x 9 inches

2023

close to the body

To grow in,

To grow out,

To grow with,

To fly…

Letting go and reaching for.

fabric, plaster

29 x 13 x 9 inches

2023

i want, i want, i want I

cyanotype, pencil, paper

6 x 8 inches

2022

sometimes she can III

fabric, plaster, wood, mesh

8 x 6 x 3 1/2 inches

2023

giving the past a second chance

Paper was my first love. Over the last few years, I’ve been collecting blank pages from used books; my quest to find paper with unwritten history, of unique size, shape, texture, age and color is always a real adventure.
A blank page is not empty. It carries a certain energy that initiates dialog, it calls forth a response… and once I start working, it reveals itself completely. At times magic happens but there are also instances when the paper refuses to answer. No matter the context, the result is always unique and it leads on to the next search, to a novel encounter.

With ‘giving the past a second chance’ I am 4 ½, I am 8, I am 7, I am 45, I am 62, I am 82, I am 3 months, I am…

The nail takes me back to my childhood years, when it was part of my play. With my grandfather, I would straighten them with a hammer and reuse them for a new purpose.

Around the world, back to the place I started from.

i am 10

cyanotype on paper
8 x 11 inches
2022

i am 4 and a half

cyanotype on paper
9 1/2 x 12 1/2 inches
2022

i am 34

cyanotype on paper

9 x 10 1/2 inches

2022

i am 11

cyanotype on paper
10 3/4 x 8 1/4 inches
2022

i am 12

cyanotype on paper
6 3/4 x 9 1/2 inches
2022

i am 88

cyanotype on paper

6 3/4 x 8 1/2 inches

2022

i am 27

cyanotype on paper
7 x 9 inches
2022

i am 51

cyanotype on paper
8 x 10 1/2 inches
2022

i am 5

cyanotype on paper
5 1/2 x 7 inches
2022

i am 70

cyanotype on paper

4 x 5 1/2 inches

2022

i am 66

cyanotype on paper
9 x 12 inches
2022

i am...

cyanotype on paper

13 1/2 x 9 inches

2022

i am 39

cyanotype on paper

8 3/4 x 12 inches

2022

i am 61

cyanotype on paper
9 x 12 inches
2022

i am 45

cyanotype on paper
9 x 13 inches
2022

i am 29

cyanotype on paper
7 x 9 1/4 inches
2022

i am 62

cyanotype on paper
6 x 8 1/2 inches
2022

i am 39

cyanotype on paper

6 1/2 x 9 1/4 inches

2022

i am 15

cyanotype on paper
5 x 6 1/2 inches
2022

i am 54

cyanotype on paper

9 x 6 1/2 inches

2022

i am 12

cyanotype on paper

6 3/4 x 9 1/4 inches
2022

i am 36

cyanotype on paper
5 1/2 x 8 inches
2022

i am 24

cyanotype on paper
4 x 6 1/2 inches
2022

i am 16

cyanotype on paper
5 x 7 inches
2022

i am 19

cyanotype on paper
6 1/2 x 9 inches
2022

i am 71

cyanotype on paper
6 3/4 x 9 inches
2022

i am 44

cyanotype on paper

9 1/2 x 7 inches

2022

i am 13

cyanotype on paper

9 x 6 1/2 inches

2022

i am 80

cyanotype on paper

6 x 8 inches

2022

i am 52

cyanotype on paper

8 1/2 x 10 inches

2022

i am 25

cyanotype on paper
6 3/4 x 8 1/2 inches
2022

i am 58

cyanotype on paper
9 x 12 inches
2022

i am 80

cyanotype on paper

4 x 6 inches

2022

i am 33

cyanotype on paper
9 x 12 inches
2022

i am 7

cyanotype on paper
7 x 9 inches
2022

i am 94

cyanotype on paper
9 x 12 inches
2022

i am 73

cyanotype on paper
9 x 12 inches
2022

i am 71

cyanotype on paper
8 x 11 1/2 inches
2022

i am 46

cyanotype on paper
9 x 12 nches
2022

i am 67

cyanotype on paper
9 x 12 inches
2022

i am 19

cyanotype on paper
7 1/4 x 10 inches
2022

i am 7

cyanotype on paper
9 x 12 inches
2022

i am 98

cyanotype on paper

9 x 11 1/2 inches

2022

i am 59

cyanotype on paper
9 x 12 nches
2022

i am 5

cyanotype on paper
7 1/4 x 9 1/2 inches
2022

i am 76

cyanotype on paper
9 x 12 inches
2022

i am 50

cyanotype on paper

7 1/4 x 9 1/2 inches

2022

I am birthing him, he is birthing me

Plaster, fabric

17 x 10 1/4 x 12 inches
2022

untitled yet

cyanotype on fabric, paper, wood, mash, wool, fabric, plaster

52 x 17 x 4 1/4 inches

2022

the milk book

Every day, a drop of breastmilk on paper (life on paper)

The milk book originated in my desire to give meaning to the journey of breastfeeding, a one year crossing. It became a book of nurture, an extension of the umbilical cord. The milk-sodden paper testifies to the daily encounters, the daily struggle and joy, to the half seen.

The project references all that’s involved in nurturing a child, work that we do over and over again, and which seems to erase itself.

breastmilk on paper

2021-2022

breastmilk on paper

2021-2022

breastmilk on paper

2021-2022

breastmilk on paper

2021-2022

breastmilk on paper
2021-2022

M-other-her

mixed media on paper

7 x 9 1/4 inches

2018, 2022

somewhere to be

When my son started talking, I recorded his first words in a journal. He was mixing languages and making up his own, not fully understood by anyone except me, his mother.
And so I realized I am ‘home’ for him, a space and place where he is understood, accepted and loved unconditionally.
Home is not only a place we depart from and return to but a longing we carry within ourselves.

fabric, ink, paper, wood

2022

fabric, ink, paper, wood

2022

fabric, ink, paper, wood

2022

what is spilled over - let's not do this again, let's do this again

cyanotype on paper

9 1/2 x 11 inches

2022

cyanotype on paper

9 1/2 x 12 inches

2022

cyanotype on paper

9 1/2 x 12 inches

2022

cyanotype on paper

9 x 12 inches

2022

cyanotype on paper

9 1/2 x 12 inches

2022

cyanotype on paper

9 1/2 x 12 inches

2022

cyanotype on paper

9 1/2 x 12 inches

2022

cyanotype on paper

6 1/4 x 9 inches

2022

cyanotype on paper

9 1/2 x 12 inches

2022

cyanotype on paper

6 x 8 1/2 inches

2022

cyanotype on paper

6 1/2 x 9 1/4 inches

2022

cyanotype on paper

6 3/4 x 9 inches

2022

cyanotype on paper

6 x 8 1/4 inches

2022

cyanotype on paper

5 1/2 x 8 inches

2022

cyanotype on paper

5 1/2 x 8 inches

2022

cyanotype on paper

6 x 8 inches

2022

cyanotype on paper

6 1/2 x 9 1/2 inches

2022

cyanotype on paper

5 x 8 inches

2022

cyanotype on paper

5 1/2 x 8 1/2 inches

2022

cyanotype on paper

5 1/2 x 8 1/2 inches

2022

cyanotype on paper

5 3/4 x 8 1 /2 inches

2022

cyanotype on paper

6 x 8 1/2 inches

2022

cyanotype on paper

5 1/2 x 8 1/4 inches

2022

cyanotype on paper

5 3/4 x 7 3/4 inches

2022

cyanotype on paper

5 1/2 x 8 inches

2022

cyanotype on paper

5 1/2 x 8 1/4 inches

2022

cyanotype on paper

5 1/2 x 6 inches

2022

from one place to the same place

‘one, seeming to be a traveler, came to me and said, ‘what is the shortest journey from one place to the same place?’

‘surely’, i said, ‘to stand still.’

‘that is no journey at all, he replied. the shortest journey from one place to the same place is round the world.’ and he was gone.

G. K. Chesterton

wool, paper

2022

wool, paper

2022

wool, paper

2022

wool, paper

2022

something to do

fabric, tin, wire, paper, wood, thread

54 x 36 x 3 inches

2022

fabric, tin, wire, paper, wood, thread

54 x 36 x 3 inches

2022

fabric, tin, wire, paper, wood, thread

54 x 36 x 3 inches

2022

i am looking for you yesterday

mixed media on paper

7 1/2 x 9 1/2 inches

2020

mixed media on paper

7 1/2 x 10 inches

2020

mixed media on paper

7 1/2 x 5 1/2 inches

2020

mixed media on paper

7 1/2 x 5 1/2 inches

2020

mixed media on paper

8 x 10 inches

2020

twentyfour-seven

clay, thread

23 x 1 1/2 x 1 1/4 inches

2020

it should be very simple

i am here, i am here, i am here

pencil on paper

6 x 9 1/4 inches

2020

that's why

fabric, plaster, wood, acrylic

4 x 10 x 33 1/2 inches

2020

need to work something, need to play something

paper, ultracal, mylar paper

9 x 6 x 4 1/2 inches

2020

been Home

linen, wood, lead, mylar paper

24 x 2 x 40 1/2 inches

2020

mixed media on paper

8 x 1 1 inches

2020

NOO...

mixed media

8 x 10 inches

2020

sometimes minutes are happy

The work is a reflection on play. In a child’s play there is connection, discovery and surprise. It is a place of intense sensory engagement, that allows for tasting more, feeling more, experiencing more.

The piece desires to be a mirror that reflects a child’s way of playing. The socks are a mosaic of possibilities: anything can turn into play. Resources are endless. One can step in them again and continue the play, recomposing the game over and over again, never in the same way.

wood, fabric, plaster, lead
37 1/2 x 36 x 40 inches
2019

it happens all the time

tin, ultracal, wood

57 x 29 x 5 1/2 inches

2019

taking his time

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

8 x 10 inches

2019

when nothing seems to happen

paper, ink, beeswax

6 7/8 x 9 7/8 inches

2019

paper, ink, beeswax

6 7/8 x 9 7/8 inches

2019

paper, ink, beeswax

4 1/2 x 7 inches

2019

paper, ink, beeswax

5 x 7 1/2 inches

2019

paper, ink, beeswax

8 x 5 1/2 inches

2019

paper, ink, beeswax

5 1/2 x 8 inches

2019

paper, ink, beeswax

8 1/4 x 9 1/2 inches

2019

paper, ink, beeswax

5 1/2 x 8 inches

2019

paper, ink, beeswax

5 1/2 x 7 7/8 inches

2019

paper, ink, beeswax

5 1/4 x 7 7/8 inches

2019

paper, ink, beeswax

5 7/8 x 8 1/2 inches

2019

paper, ink, beeswax

9 x 11 inches

2019

paper, ink, beeswax

8 1/4 x 9 1/2 inches

2019

paper, ink, beeswax

5 7/8 x 8 1/2 inches

2019

paper, ink, beeswax

6 x 9 inches

2019

both true and not true

paper, ink

7 x 10 inches

2019

paper, ink

6 x 9 inches

2019

paper, ink

7 x 10 inches

2019

paper, ink

6 x 9 inches

2019

paper, ink

7 x 10 inches

2019

paper, ink

6 x 9 inches

2019

paper, ink

7 x 10 inches

2019

MAma

This work explores how the thread of the voice looks like, how meaning and attention are assigned to sounds.

“mAma” “maaaaama” “MAMA” “maMA” …. When my son calls me I hear him calling me as (a) mother, woman, brother, friend… I also hear myself calling my own mother. In this preverbal stage lies the beginning of who we are, who we ought to be, in this relationship, at this stage, so unaware.

MAma

pencil on paper

8 x 8 inches

2019

everything is part of everything else

ultracal
6 x 3 1/4 x 3 1/4 inches
2019

out-growing I

fabric, plaster

12 1/2 x 11 x 12 inches
2018

out-growing II

out-growing II

fabric, plaster
50 x 6 x 8 inches
2018-2019

there, not there

What is it that we want to frame? In the period of early childhood change is the constant; nothing stays the same.
Only the live image is present in the picture frame. And in order to see that, one needs to be immersed in the present.

there, not there

fabric, plaster
34 x 28 x 6 1/2 inches
2019

too much and not enough

I’ve been asked, many times after I had my son, about how I felt. “I feel like a cup that spills over, full and empty at the same time”, I would say.

I chose the bib as a symbol for this state of being. It is a familiar object that surrounds a baby’s universe during the first months of his life. In this work, the bib is a reminder that the experience of feeling overwhelmed is something worth embracing. The average everyday experience is something we easily forget, but the extreme moments stay with us.

fabric, plaster, wood, clay, cotton, oil color
45 x 12 1/2 x 4 inches
2018 - 2019

units of time

I cut and gathered my son’s nails in his first year of life. Tiny elements collected in a jar, a symbol of time, almost unnoticed.

Early on, as a parent, I realized the value and importance of our daily, repetitive, and trivial actions. ‘Units of time’ is an attempt to bring meaning to these gestures and embrace all efforts as vital for a newborn’s growth. Without them there would be no growth.

units of time

1 1/4 x 1 x 1 inches

nails, container

2018

units of time

4 1/2 x 7 inches

ink, gouache, coffee on paper

2018

units of time

4 x 7 inches

ink, milk, coffe on paper

2018

units of time

ink on paper

5 x 7 inches

2018

feeding pacifier

book cover, plaster, rubber

18 1/2 x 12 1/4 x 2 inches

2019

feeding pacifier

book cover, plaster, rubber
18 1/2 x 12 1/4 x 2 inches
2019

preverbal

The ordinary experienced for the first time.

preverbal II

ultracal
4 x 1 1/2 x 1 1/2 inches
2019

preverbal I

ultracal
2 x 2 x 2 inches
2019

giving

I wrote the word ‘giving’ over and over again on a piece of paper, over the course of several days. It reflects a state of being that transforms and vanishes.

In the complex relationship between a parent and child, the parent is the life source and giving fountain. The dependent being takes everything, to the point of absorbing the parent’s self.

But when a child reaches milestones the parent realizes that the ‘I’ exists in giving. It also disappears in giving, both at the same time.